The nominations for the 2024 Oscars were unveiled Tuesday morning live from the Film Academy’s Samuel Goldwyn Theater, honoring cinematic achievements for films released in 2023. We are proud to have contributed post-production services to eight of this year’s biggest films.

Poor Things, colored by Senior Colorist Greg Fisher , leads our list of spotlighted projects with 11 nominations, followed by Killers of the Flower Moon with 10 and Barbie with 8, both graded by Senior Colorist Yvan Lucas. They will compete for best picture along with Maestro and Past Lives, graded by Senior Colorists Stefan Sonnenfeld and Tom Poole.

Lily Gladstone, who starred in Martin Scorsese’s Killers of the Flower Moon, made history by becoming the first Native American nominated for Lead Actress. Meanwhile, Scorsese has been nominated for Best Director for the 10th time, making him the most nominated living director.

Congratulations to all the nominees and their teams! We applaud their remarkable collaboration and artistic brilliance that brought these projects to life.

The 96th Academy Awards will be broadcast live on ABC from the Dolby Theater at Ovation Hollywood in Los Angeles, with Jimmy Kimmel returning as the host. The ceremony is scheduled for Sunday, March 10.

Nominees

Poor Things

Best Picture

Best Director | Yorgos Lanthimos

Best Cinematography | Robbie Ryan

Best Film Editing | Yorgos Mavropsaridis, ACE

Best Production Design | James Price, Shona Heath, Zsuzsa Mihalek

• Supervising Color | Greg Fisher 
• Finishing Edit | Stuart London, Thomas Lambert
• Company 3, Production | Christopher Nundy, Laura Metcalfe
• Director | Yorgos Lanthimos
• DP | Robbie Ryan, BSC ISC
• Editor | Yorgos Mavropsaridis, ACE
• Production Design | James Price, Shona Heath, Zsuzsa Mihalek

Killers of the Flower Moon

Best Picture

Best Director | Martin Scorsese

Best Cinematography | Rodrigo Prieto

Best Film Editing | Thelma Schoonmaker

Best Production Design | Jack Fisk, Adam Willis

• Color | Yvan Lucas
• Additional Color | Alan Gordon
• Finishing Edit | Nicholas Figueroa
• Dailies | Rich Flores
• Company 3, Production | Laura Hickerson, Michael Maida
• Director | Martin Scorsese
• DP | Rodrigo Prieto
• Editor | Thelma Schoonmaker
• Production Design | Jack Fisk

Barbie

Best Picture

Best Production Design | Sarah Greenwood, Katie Spencer

• Color | Yvan Lucas
• Additional Color | Nick Metcalf, Alan Gordon
• Finishing Edit | Pat Kelleher
• Dailies | Tom Klane
• Editorial Services | Company 3
• Company 3, Production | Michael Maida, Gregory Caligiuri
• VFX | Framestore
• Director | Greta Gerwig
• DP | Rodrigo Prieto
• Editor | Nick Houy, ACE
• Production Design | Sarah Greenwood, Katie Spencer

Maestro

Best Picture

Best Cinematography | Matthew Libatique, ASC, LPS

• Color | Stefan Sonnenfeld
• Additional Color | Drew Geary
• Finishing Edit | Nick Figueroa, Gina Kalim
• Editorial Services | Company 3
• Dailies | Benny Estrada
• Company 3, Production | Margaret Lewis, Gregory Caligiuri
• Director | Bradley Cooper
• DP | Matthew Libatique, ASC LPS
• Editor | Michelle Tesoro
• Production Design | Kevin Thompson

Past Lives

Best Picture

• Color | Tom Poole
• Finishing Edit | Josh Perault
• Company 3, Production | Zac Gobetz, Gregory Caligiuri
• Director | Celine Song
• DP | Shabier Kirchner
• Editor | Keith Fraase
• Production Design | Grace Yun

Napoleon

Best Visual Effects

Best Production Design | Arthur Max, Elli Griff

• Color | Stephen Nakamura 
• Finishing Edit | Thomas Lambert, Jeremy Crichton
• Company 3, Production | Leigh Myers, Ann Dawson
• Director | Ridley Scott
• DP | Dariusz Wolski
• Editors | Claire Simpson, Sam Restivo
• Production Design | Arthur Max

Guardians of the Galaxy Vol. 3

Best Visual Effects

• Color | Stefan Sonnenfeld
• Additional Color | Adam Nazarenko, Parker Jarvie
• 3D Color | Jared Pecht, Alan Gordon
• Finishing Edit | Paul Carlin, Chad Schermerhorn
• Company 3, Production | Laura Holeman, Jessica Stone, Megan White
• VFX | Framestore
• Stereo VFX | SDFX Studios
• Stereographer | Jason Bomstein
• Director | James Gunn
• DP | Henry Braham
• Editor | Fred Raskin
• Production Design | Beth Mickle

The Wonderful Story of Henry Sugar

Best Live Action Short Film

• Color | Gareth Spensley
• Additional Color | Gareth Thomas
• Finishing Edit | Justin Eely
• Dailies | Doychin Margoevski
• Company 3, Producers | Joanna Burt, Hannah Perkins
• Director | Wes Anderson
• DP | Robert D. Yeoman, ASC
• Editors | Barney Pilling, Andrew Weisblum
• Production Design | Adam Stockhausen

For a complete list of the 2024 Oscar nominees, click here.