Michael Mann’s thriller Blackhat follows hackers through a network of cyber terror that extends from the US to Hong Kong and Jakarta and beyond. As he’s frequently done before, the director encouraged his cinematographer, Stuart Dryburgh, ASC, to use the best camera for each setup, even if it meant mixing multiple files, formats and codecs. In fact, Dryburgh frequently captured individual scenes with multiple cameras, including the ARRI Alexa, RED Epic, GoPro Hero, Vision Research Phantom, and Canon 5D MK II DSLRs.

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