This past weekend marked the commencement of the International Film Festival of the Art of Cinematography, EnergaCAMERIMAGE, in Toruń, Poland. Running through November 18th, the festival is a forum for presentations of the most outstanding achievements in the field of cinematography.

Company 3 provided color, sound, and/or finishing services to 13 projects featured in the festival’s Main, TV Series, Documentary, Shorts, and Music Video competitions. Noteworthy projects include “Poor Things,” lensed by Robert Ryan, BSC, ISC, and color-graded by Senior Colorist Greg Fisher, showcased at opening night. Other standout contenders include Shawn Levy’s “All The Light We Cannot See,” shot by Tobias A. Schliessler, with color by Skip Kimball, and the Harry Style’s music video “Daylight,” directed by Tanu Muino, lensed by Nikita Kuzmenko, and color-graded by Joseph Bicknell.

Congratulations to all the cinematographers recognized and the teams that worked alongside them.

 

Nominees 

 

Poor Things

Main Competition 
Opening Night

 Credits  

• Supervising Color | Greg Fisher
• Finishing Edit | Stuart London, Thomas Lambert
• Company 3, Production | Christopher Nundy, Laura Metcalfe
• Director | Yorgos Lanthimos
• DP | Robbie Ryan, BSC ISC
• Editor | Yorgos Mavropsaridis, ACE
• Production Design | James Price, Shona Heath

 

Lee 

Main Competition

Credits 

• Color | Jean-Clément Soret
• Additional Color | Yoomin Lee
• Finishing Edit | Thomas Lambert
• Company 3, Producer | Cody Cardarelli
• Director| Ellen Kuras, ASC
• DP | Pawel Edelman
• Editor | Mikkel E. G. Nielsen, ACE
• Production Design | Gemma Jackson

 

All of Us Strangers

Main Competition

Credits

• Color | Joseph Bicknell
• Finishing Edit | Stuart London, Julien Mathus
• Company 3, Producer | Gemma Saunders
• Director | Andrew Haigh
• DP | Jamie Ramsay
• Editor | Jonathan Alberts
• Production Design | Sarah Finlay

 

Maestro

Main Competition

Credits

• Color | Stefan Sonnenfeld
• Additional Color | Drew Geary
• Finishing Edit | Nick Figueroa, Gina Kalim
• Editorial Services | Company 3
• Dailies | Benny Estrada
• Company 3, Production | Margaret Lewis, Gregory Caligiuri
• Director | Bradley Cooper
• DP | Matthew Libatique
• Editor | Michelle Tesoro
• Production Design | Kevin Thompson

 

Napoleon

Main Competition

Credits

• Color | Stephen Nakamura
• Finishing Edit | Thomas Lambert, Jeremy Crichton
• Company 3, Production | Leigh Myers, Ann Dawson
• Director | Ridley Scott
• DP | Dariusz Wolski
• Editors | Claire Simpson, Sam Restivo
• Production Design | Arthur Max

 

Ferrari

Main Competition

Credits

• Color | Stefan Sonnenfeld
• Additional Color | Adam Nazarenko
• Finishing Edit | Joe Ken
• Company 3, Production | Erik Rogers, Zach Watkins, Taravat Yazdan Panah
• Trailers | Carl McKay, Behnood Behjoo, Levi Hawkinson
• Director | Michael Mann
• DP | Erik Messerschmidt
• Editor | Pietro Scalia
• Production Design | Maria Djurkovic

 

Killers of the Flower Moon

Main Competition

Credits

• Color | Yvan Lucas
• Additional Color | Alan Gordon
• Finishing Edit | Nicholas Figueroa
• Dailies | Rich Flores
• Company 3, Producers | Laura Hickerson, Michael Maida
• Director | Martin Scorsese
• DP | Rodrigo Prieto
• Editor | Thelma Schoonmaker
• Production Design | Jack Fisk

 

All the Light We Cannot See

TV Series Competition

Credits 

• Colorist | Skip Kimball 
• Finishing Edit | Craig C. Price, Raymond Ruotolo 
• Company 3, Producer | Jared Arkulary 
• Director | Shawn Levy 
• DP | Tobias A. Schliessler 
• Editors | Dean Zimmerman, Casey Cichocki 
• Production Design | Simon Elliott 

 

Foundation | “In Sheldon’s Shadow”

TV Series Competition

Credits

• Color | Tony Dustin
• Finishing Edit | Adrian Saywell
• Re-Recording Mixers | Steve Foster, Kirk Lynds
• Company 3, Producer | Lindsay Adam
• Directors | Alexander Graves, David Goyer, Mark Tonderai, Roxann Dawson
• DPs | Cathal Watters, Owen McPolin, Tico Poulakakis
• Editors | Paul Trejo, Emily Greene, Miklos Wright, Olivia Wyrick
• Production Design | Rory Cheyne

 

The Offer | “A Seat at the Table”

TV Series Competition

Credits

• Color | Sean Coleman
• Finishing Edit | Jason Keehne
• Dailies | Tomas Klane
• Company 3, Production | Jessica Clarke, Deb Gutierrez
• Director | Dexter Fletcher
• DPs | Salvatore Totino ASC, AIC, Elie Smolkin
• Editors | Matt Barber, Tanya Swerling, David Trachtenberg
• Production Design | Laurence Bennett

 

Harry Styles | “Daylight”

Music Videos Competition

Credits

• Color | Joseph Bicknell
• Company 3, Producer | Cassidy Conway
• Director | Tanu Muino
• DP | Nikita Kuzmenko
• Production Company | Underwonder Content
• Editor | Carlos Font Clos

 

Miley Cyrus | “Flowers”

Music Videos Competition

Credits

• Color | Tom Poole
• Director | Jacob Bixenman
• DP | Marcell Rev
• Editor | Brendan Walter
• Production Design | Hugh Ziegler + Nu California

 

Metallica | “Screaming Suicide”

Music Videos Competition

Credits

• Color | Tom Poole
• Company 3, Production | Shannen Troup, Nick Krasnic
• Director | Tim Saccenti
• DP | Joshua Zucker-Pluda
• Production Company | RadicalMedia/USA
• Editor | Matt Posey
• Production Design | Kurt Gefke

 

Superpower

Documentary Special Screenings

Credits

• Color | Stefan Sonnenfeld
• Additional Color | Andrew Geary
• Finishing Edit | Gina Kalim
• Company 3, Producer | Michael Maida
• Directors | Aaron Kaufman, Sean Penn
• DPs | Aaron Kaufman, James Mills, Serhiy Morgunov, Austin Otto, J.B. Rutagarama, Lauren Terp, William Voermann

 

Ryuichi Sakamoto — Opus

Documentary Special Screenings

Credits

• Color | Tim Masick 
• Company 3, Producer | Ryan Moncrief
• Director | Neo Sora
• DP | Bill Kirstein
• Editor | Takuya Kawakami

 

Barbie 

Special Screenings

Credits 

• Color | Yvan Lucas
• Additional Color | Nick Metcalf, Alan Gordon
• Finishing Edit | Pat Kelleher
• Dailies | Tom Klane
• Editorial Services | Company 3
• Company 3, Production | Michael Maida, Gregory Caligiuri
• VFX | Framestore
• Director | Greta Gerwig
• DP | Rodrigo Prieto
• Editor | Nick Huoy
• Production Design | Sarah Greenwood

 

Saltburn 

Special Screenings

Credits  

• Color | Matt Wallach
• Finishing Edit | Thomas Lambert, Jeremy Crichton
• Dailies | Doychin Margoevski
• Company 3, Production | Leigh Meyers, Ann Dawson
• Director | Emerald Fennell
• DP | Linus Sandgren
• Editor | Victoria Boydell
• Production Design | Suzie Davies

 

Priscilla 

Special Screenings

Credits  

• Re-Recording Mixers | Steve Foster, Stephen Barden
• Dailies | Company 3
• Company 3, Producer | Shane Allan
• Director | Sofia Coppola
• DP | Philippe Le Sourd
• Editor | Sarah Flack
• Production Design | Tamara Deverell

 

Click here for more information about this year’s CamerImage International Film Festival and a complete list of nominees.