Robert Richardson, ASC, credits his striking cinematography to the creative synergy he shares with colorists, whom he describes as “vital collaborators” in filmmaking. In a recent feature with American Cinematographer, Richardson reflects on his experiences working with some of the industry’s finest colorists, emphasizing how their expertise elevates his storytelling.

One of Richardson’s most frequent collaborators is Stefan Sonnenfeld, with whom he worked on Emancipation and The Equalizer 3. Sonnenfeld, known for his pioneering work in digital color-grading, describes Richardson as a visionary who constantly pushes creative boundaries. “Bob is so unique and creative,” Sonnenfeld says, “and he constantly pushes everyone involved to a place they might not otherwise go.” Together, they ensure the film’s grading aligns perfectly with its emotional tone, striking a balance between realism and stylized artistry.

On The Aviator, Richardson partnered with Stephen Nakamura to explore the psychological depth of Howard Hughes’s character through color. Red hues were used to symbolize Hughes’s isolation and mental deterioration, with Nakamura expertly crafting lighting effects that complemented Richardson’s bold, emotionally driven vision. Richardson recalls their collaboration fondly: “Stephen and I were always exploring how color could serve the story—sometimes that means breaking [the] rules.”

For Once Upon a Time in Hollywood, Yvan Lucas worked with Richardson to craft a dynamic color palette that shifted with the film’s tone. Warm, nostalgic hues gave way to stark contrasts during moments of tension, amplifying the emotional resonance of Quentin Tarantino’s narrative. Lucas’s meticulous approach ensured the visual language remained cohesive while supporting the story’s dramatic beats.

Richardson’s collaborations highlight the indispensable role of colorists in filmmaking, transforming technical precision into an art form. “You can’t make a film without them,” he insists. Read the full feature on American Cinematographer for more insights into Richardson’s process and his partnerships with Lucas, Nakamura, and Sonnenfeld.