Every September, some of the most talented figures in film and entertainment gather for 11 days of Canadian and international cinema, special events, and discussions with some of the industry’s most prominent filmmakers. The 49th edition of the Toronto International Film Festival runs from September 5 to 15, 2024. Company 3 proudly contributed post-production services to 32 films on this year’s lineup.

The most exciting part of the festival is the unpredictable thrill of discovery. The exciting lineup includes a number of highly anticipated world premieres—we’re curious about Jason Reitman’s Saturday Night, graded by Senior Colorist Stefan Sonnenfeld, David Gordon Green’s Nutcracker, featuring color by Senior Colorist Tom Poole, and Francis Ford Coppola’s Megalopolis featuring sound services by Senior Re-Recording Mixer Chris Cooke, among many, many others. Plus, feature filmmaking debuts by commercials and music video director Fleur Fortuné’s The Assessment, graded by Senior Colorist Sofie Borup.

The People’s Choice Awards, a long-standing tradition at TIFF, are the top honors at the festival as voted by the viewing public. Congratulations to the filmmakers and creative teams behind Mike Flanagan’s The Life of Chuck for winning this award. Senior Colorist Jill Bogdanowicz graded the film.

For more information about TIFF and its entire lineup, click here.

 

The Life of Chuck

WINNER – People’s Choice Award

Special Presentations

• Supervising Color | Jill Bogdanowicz
• Additional Color | Jared Pecht
• Finishing Editor | John Diesso
• Dailies | Ryan Hymel
• Color Producer | James Levine
• Director | Mike Flanagan
• DP | Eben Bolter, ASC, BSC
• Editors | Mike Flanagan, Emily Freund
• Production Design | Steve Arnold

 

Saturday Night 

Special Presentations

• Color | Stefan Sonnenfeld
• Additional Color | Parker Jarvie
• Finishing Editor | Chad Schermerhorn
• Dailies | Karli Windischmann
• Color Producer | Clay Woods
• Director | Jason Reitman
• DP | Eric Steelberg, ASC
• Editors | Nathan Orloff, Shane Reid
• Production Design | Jess Gonchor

 

Hold Your Breath 

Special Presentations

• Color | Tim Masick
• Finishing Editor | Nicholas Figueroa
• Dailies | Company 3
• Color Producer | Zac Gobetz
• Directors | Karrie Crouse, Will Joines
• DP | Zoë White, ACS
• Editor | Luke Ciarrocchi
• Production Design | Tim Grimes

 

Can I Get a Witness? 

Special Presentations 

• Color | Anne Boyle
• Finishing Editor | Matthew Shuttleworth
• Color Producer | Miguel Ribeiro
• Director | Ann Marie Fleming
• DP | C. Kim Miles, ASC, CSC, MYSC
• Editor | Justin Li
• Production Design | Cheryl Marion

 

Relay

Special Presentations

• Color | Andrew Geary
• Finishing Editor | Gina Kalim
• Editorial Services | Brandon Rosser, Gregory Caligiuri, Jasmine Hingorani
• Dailies | Company 3
• Color Producer | Laura Hickerson
• Director | David Mackenzie
• DP | Giles Nuttgens
• Editor | Matt Mayer
• Production Design | Jane Musky

 

The Fire Inside 

Special Presentations

• Color | Joseph Bicknell
• Finishing Editor | Jennifer Raymond
• Dailies | Company 3
• Color Producer | Vanessa Galvez-Morez
• Director | Rachel Morrison
• DP | Rina Yang BSC
• Editor | Harry Yoon
• Production Design | Zosia Mackenzie

 

Heretic 

Special Presentations

• Color | Stephen Nakamura
• Additional Color | Thor Roos
• Finishing Editors | Matthew Shuttleworth, William Romines IV
• Dailies | Jaan Spirka
• Color Producer | Andras Toth
• Directors | Scott Beck, Bryan Woods
• DP | Chung – Hoon Chung
• Editor | Justin Li
• Production Design | Philip Messina

 

Rez Ball 

Special Presentations

• Color | Tom Poole, Jake White
• Finishing Editor | Gina Kalim
• Editorial Services | Brandon Rosser, Gregory Caligiuri
• Dailies | Jake White
• Color Producer | Ray Stanton
• Director | Sydney Freeland
• DP | Kira Kelly, ASC
• Editor | Jessica Baclesse
• Production Design | Richard Toyon

 

The Order 

Special Presentations

• Color | Tom Poole
• Additional Color | Jake White
• Finishing Editor | Yoon Hee Hwang
• Color Producer | Andras Toth
• Director | Justin Kurzel
• DP | Adam Arkapaw, ACS
• Editor | Nick Fenton
• Production Design | Karen Murphy

 

All of You  

Special Presentations

• Color | Yoomin Lee
• Finishing Editor | Jeremy Crichton
• Dailies | Company 3
• Color Production | Hannah Perkins, Cody Cadarelli
• Director | William Bridges
• DP | Benoit Soler
• Editor | Victoria Boydell
• Production Design | Luke Moran-Morris

 

The Assessment 

Special Presentations

• Color | Sofie Borup
• Director | Fleur Fortuné
• DP | Magnus Nordenhof Jønck
• Editor | Yorgos Lamprinos
• Production Design | Jan Houllevigue
• Post Production Company | WeFadeToGrey

 

Nutcrackers

Galas 2024

• Color | Tom Poole
• Additional Color | Dustin Wadsworth
• Re-Recording Mixers | Steve Foster, Stephen Barden
• Finishing Editor | Darren Hinchy
• Color and Sound Producer | Chris Dewolde
• Director | David Gordon Green
• DP | Michael Simmonds
• Editor | Colin Patton
• Production Design | Richard A. Wright

 

Megalopolis 

Galas 2024

• Re-Recording Mixers | Christian T. Cooke, Brad Zoern
• Sound Producer | Sarah Riley
• Sound Supervisor | Nelson Ferreira
• Sound Designer | Nathan Robitaille
• Dailies | Marc Lulkin
• Director | Francis Ford Coppola
• DP | Mihai Malaimare Jr.
• Editors | Cam McLauchlin, Glen Scantlebury
• Production Design | Bradley Rubin, Beth Mickle

 

William Tell 

Galas 2024

• Color | Joseph Bicknell
• Finishing Editor | Julien Mathus
• Dailies | Marc Lulkin
• Color Production | Cody Cardarelli, Hannah Perkins
• Director | Nick Hamm
• DP | Jaime Ramsay
• Editor | Yan Miles, ACE
• Production Design | Tonino Zera

 

The Shrouds 

Galas 2024

• Color | Bill Ferwerda
• Finishing Editor | Eric Myles
• Re-Recording Mixers | Christian T. Cooke, Mark Zsifkovits
• Dailies | Company 3
• Color and Sound Producer | Sarah Riley
• Director | David Cronenberg
• DP | Douglas Koch, CSC
• Editor | Christopher Donaldson, ACE
• Production Designer | Carol Spier

 

The Wild Robot

Galas 2024

• 3D Color | Jason Hanel
• Finishing Editor | Patrick Perron
• Color Producer | Jake Blum
• Immersive 3D VFX | SDFX Studios
• VFX Supervisor | Jeff Budsberg
• Stereographer | Jeremy Carroll
• Stereo Supervisor | Varuna Darensbourg
• Associate Producer | Guy Gonsalves
• Associate Production Manager | George Church
• Director | Chris Sanders
• Editor | Mary Blee
• Art Director | Ritchie Sacilioc
• Production Design | Raymond Zibach
• Studio | Universal Studios

 

Unstoppable 

Galas 2024

• Color | Sean Coleman
• Finishing Editor | Matthew Johnson 
• Dailies | Rich Flores
• Color Producer | Philip Marvin
• Director | William Goldenberg
• DP | Salvatore Totino
• Editor | Brett M. Reed
• Production Design | Jon Carlos

 

The Friend 

Galas 2024

• Color | Alan Gordon
• Finishing Editor | Pat Kelleher
• Dailies | Company 3
• Color Producer | Laura Hickerson
• Directors | Scott McGehee, David Siegel
• DP | Giles Nuttgens, BSC
• Editor | Isaac Hagy
• Production Design | Kelly McGehee

 

Friendship 

Midnight Madness

• Color | Anne Boyle
• Finishing Editor | Yoon Hee Hwang, Roger GaoXin Wang
• Dailies | Mykel Thuncher
• Color Producer | Miguel Ribeiro
• Director | Andrew DeYoung
• DP | Andy Rydzewski
• Editor | Sophie Corra
• Production Design | Rocio Gimenez

 

Sweet Angel Baby 

Centrepiece Programme

• Color | Bill Ferwerda
• Re-recording Mixer | Arturo Fuenmayor
• Finishing Editor | Eric Myles
• Color and Sound Producer | Sarah Riley
• Director | Melanie Oates
• DP | Christopher Mably
• Editor | James Vandewater
• Production Design | Xavier Georges

 

Under the Volcano 

Centrepiece Programme

• Color | Joseph Bicknell
• Color Producer | Kate Albers
• Director | Damian Kocur
• DP | Nikita Kuzmenco
• Editor | Alan Zejer
• Production Design | Aleksandra Markowska

 

Happyend 

Centrepiece Programme

• Color | Tim Masick
• Color Producer | Zac Gobetz
• Director | Neo Sora
• DP | Bill Kirstein
• Editor | Albert Tholen
• Production Design | Norifumi Ataka

 

Julie Keeps Quiet

Centrepiece Programme

• Color | Tom Poole
• Additional Color | Emily Bailey
• Color Producer | Michael Maida
• Director | Leonardo Van Dijl
• DP | Nicolas Karakatsanis
• Editor | Bert Jacobs
• Production Design | Julien Denis

 

The Sweet Hereafter 

Classics Programme

• Color | Bill Ferwerda
• Finishing Editor | Eric Myles
• Color Producer | Gino Carletti
• Director | Atom Egoyan
• DP | Paul Sarossy
• Editor | Susan Shipton
• Production Design | Phillip Barker

 

Pedro Páramo 

Platform Programme

• Color | Yvan Lucas
• Additional Color | Alan Gordon
• Color Producer | Vanessa Galvez-Morez
• Director | Rodrigo Prieto
• DP | Nico Aguilar, AMC
• Editor | Soledad Salfate
• Production Design | Eugenio Caballero, Carlos Y. Jacques

 

Code 3 

Industry Selects

• Color | Sean Coleman
• Finishing Editor | Paul Carlin
• Color Production | Clay Woods, James Levine
• Director | Christopher Leone
• DP | Mark Williams
• Editor | Jay Friedkin
• Production Design | Jace Ford

 

The Ballad of Suzanne Césaire 

Wavelengths Features

• Color | Andrew Geary
• Color Producer | Krystle Annand
• Director | Madeline Hunt Ehrlich
• DP | Alex Ashe
• Editors | Emily Packer, Nicole Otero
• Production Design | Terry Watson

 

Julian and the Wind

Short Cuts Programme 1 

• Color | Tim Masick
• Color Producer | Michael Maida
• Director | Connor Jessup
• DP | John Ker
• Editor | Connor Jessup
• Production Design | Kate Ferry

 

Aïda Neither 

Short Cuts Programme 5

• Color | Dave Muscat
• Finishing Editor | Motassem Younes
• Color Producer | Sarah Riley
• Director | Elisa Gilmour
• DP | Jaclyn Martinez
• Editor | Omar Elhamy
• Production Design | Léana Larzillière

 

The Cost of Hugging 

Short Cuts Programme 6

• Color | Matthieu Toullet
• Color Production | Edwin Elkington, Kerri Aungle, Ellora Soret
• Director | Louis Bhose
• DP | Murren Tullet
• Editor | Jack Williams
• Production Design | Kat Burke

 

Stomach Bug 

Strange Cuts

• Color | Joseph Bicknell
• Color Producer | Gemma Saunders
• Director | Matty Crawford
• DP | Andri Haraldsson
• Editor | Yu-Pu Frances Pon
• Production Design | Sehar Kidwai
• Production Companies | BBC Film, NFTS, Galazia Productions

 

The Apprentice

• Supervising Color | Tyler Roth 
• Dailies | Company 3 
• Color Producer | Clay Woods 
• Director | Ali Abbasi 
• DP | Kasper Tuxen 
• Editors | Olivier Bugge Coutté, Olivia Neergaard-Holm 
• Production Design | Aleksandra Marinkovich