Work > Features

Gladiator II

  • Colorist: Stephen Nakamura 
  • Finishing Editor: Stuart London, Jeremy Crichton 
  • Company 3, Production: Leigh Myers, Gemma Saunders 
  • Director: Ridley Scott 
  • Director of Photography: John Mathieson
  • Editor: Claire Simpson, Sam Restivo 
  • Production Design: Arthur Max 
  • VFX: Framestore
Paramount Pictures

Paddington in Peru

  • Colorist: Jean-Clément Soret   
  • Additional Colorist: Yoomin Lee
  • Finishing Editor: Jeremy Crichton  
  • Dailies: Doug Garside
  • Company 3, Production: Gemma Saunders, Hannah Perkins   
  • Director: Dougal Wilson  
  • Director of Photography: Erik Wilson 
  • Editor: Úna Ní Dhonghaíle, ACE BFE 
  • Production Design: Andy Kelly   
  • VFX: Framestore
Sony Pictures

Girl Haunts Boy

  • Colorist: Aurora Shannon 
  • Finishing Editor: Yoon Hee Hwang 
  • Dailies: Richard Cordes 
  • Company 3, Production: Addison Pauli, Melissa Lee
  • Executive Producer: Aaron Parry 
  • Director: Emily Ting 
  • Editor: Matthew Diezel, Lisa Binkley, CCE 
  • Production Design: Kaet McAnneny 
Netflix

Heretic

  • Colorist: Stephen Nakamura 
  • Additional Colorist: Thor Roos 
  • Finishing Editor: Matthew Shuttleworth, William Romines IV 
  • Dailies: Jaan Spirka 
  • Company 3, Producer: Andras Toth 
  • Director: Scott Beck, Bryan Woods 
  • Director of Photography: Chung–hoon Chung, ASC
  • Editor: Justin Li 
  • Production Design: Philip Messina 
A24

Den of Thieves: Pantera

  • Colorist: Tony Dustin 
  • Re-Recording Mixer: Christian T. Cooke, Mark Zsifkovits 
  • Finishing Editor: Darren Hinchy
  • Company 3, Producer: Chris Dewolde  
  • Director: Christian Gudegast 
  • Director of Photography: Terry Stacey, ASC 
  • Editor: Roberth Nordh 
  • Production Design: Sébastien Inizan 
Lionsgate

Transformers One

  • Supervising Colorist: Mitch Paulson
  • 3D Colorist: Joel McWilliams
  • Finishing Editor: Jennifer Raymond
  • Trailers Marketing: Jim Eberle, Michael Bryant
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Josh Cooley
  • Editor: Lynn Hobson
  • Production Design: Jason William Scheier
  • Immersive 3D VFX: SDFX Studios
  • Stereographer: Jeremy Carroll
Paramount Pictures

Venom: The Last Dance

  • Colorist: Stefan Sonnenfeld  
  • Additional Colorist: Adam Nazarenko, Joel McWilliams  
  • Finishing Editor: Matt Johnson, John Diesso  
  • Trailers Marketing: Carl McKay, Levi Hawkinson, Behnood Behjoo  
  • Company 3, Production: Erik Rogers, Jack Molitor   
  • Director: Kelly Marcel  
  • Director of Photography: Fabian Wagner, ASC BSC 
  • Editor: Mark Sanger, ACE BFE   
  • Production Design: Sean Haworth, Chris Lowe
Sony Pictures

The Fire Inside

  • Colorist: Joseph Bicknell
  • Finishing Editor: Jennifer Raymond
  • Dailies: Company 3
  • Company 3, Producer: Vanessa Galvez-Morez  
  • Director: Rachel Morrison     
  • Director of Photography: Rina Yang BSC 
  • Editor: Harry Yoon 
  • Production Design: Zosia Mackenzie  
Amazon MGM Studios

Lonely Planet

  • Colorist: Siggy Ferstl
  • Additional Colorist: Erik Ventura  
  • Finishing Editor: Matt Johnson  
  • Company 3, Producer: Aaron Miller 
  • Director: Susannah Grant 
  • Director of Photography: Ben Smithard  
  • Editor: Kevin Tent, ACE 
  • Production Design: Annie Beauchamp  
Netflix

Your Monster

  • Colorist: Joseph Bicknell
  • Finishing Editor: Josh Perault
  • Company 3, Producer: Laura Hickerson
  • Director: Caroline Lindy
  • Director of Photography: Will Stone
  • Editor: Daysha Broadway, Jon Higgins
  • Production Design: Brielle Hubert
Vertical Entertainment

House of Spoils

  • Colorist: Walter Volpatto
  • Finishing Editor: Chris Doerr 
  • Company 3, Producer: Vanessa Galvez-Morez  
  • Director: Bridget Savage Cole, Danielle Krudy   
  • Director of Photography: Eric Lin 
  • Editor: Marc Vives 
  • Production Design: Alexandra Schaller 
Prime Video

The Apprentice

  • Supervising Colorist: Tyler Roth 
  • Dailies: Company 3 
  • Company 3, Producer: Clay Woods 
  • Director: Ali Abbasi 
  • Director of Photography: Kasper Tuxen
  • Editor: Olivier Bugge Coutté, Olivia Neergaard-Holm 
  • Production Design: Aleksandra Marinkovich 
Briarcliff Entertainment

Hold Your Breath

  • Colorist: Tim Masick
  • Finishing Editor: Nicholas Figueroa 
  • Dailies: Company 3
  • Director: Karrie Crouse, Will Joines  
  • Director of Photography: Zoë White, ACS
  • Editor: Luke Ciarrocchi 
  • Production Design: Tim Grimes 
Searchlight Pictures

Wicked: Part I

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Jared Pecht
  • Finishing Editor: Joe Ken
  • Dailies: Lucie Barbier
  • Trailers Marketing: Jim Eberle, Matthew Hull
  • Company 3, Production: Erik Rogers, Zach Watkins
  • Director: Jon M. Chu
  • Director of Photography: Alice Brooks
  • Editor: Myron Kerstein, ACE
  • Production Design: Nathan Crowley
  • VFX: Framestore
  • Immersive 3D VFX: SDFX Studios
Universal Pictures

Under the Volcano

  • Colorist: Joseph Bicknell
  • Company 3, Producer: Kate Albers 
  • Director: Damian Kocur  
  • Director of Photography: Nikita Kuzmenco  
  • Editor: Alan Zejer  
  • Production Design: Aleksandra Markowska 
MGM

Blink

  • Colorist: Tony Dustin
  • Finishing Editor: Darren Hinchy
  • Company 3, Producer: Chris Dewolde
  • Director: Daniel Roher, Edmund Stenson   
  • Director of Photography: Jean-Sébastien Francoeur   
  • Editor: Ryan Mullins, Miranda Yousef, ACE 
National Geographic

Happyend

  • Colorist: Tim Masick
  • Company 3, Producer: Zac Gobetz
  • Director: Neo Sora
  • Director of Photography: Bill Kirstein
  • Editor: Albert Tholen 
  • Production Design: Norifumi Ataka  
Metrograph Pictures

In The Summers

  • Colorist: Kath Raisch
  • Company 3, Producer: Ray Stanton
  • Director: Alessandra Lacorazza 
  • Director of Photography: Alejandro Mejia 
  • Editor: Adam Dicterow 
  • Production Design: Estefania Larrain 
Bluestone Entertainment

Goodrich

  • Colorist: Joseph Bicknell
  • Finishing Editor: Ray Ruotolo
  • Dailies: Tom Klane
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Hallie Meyers-Shyer
  • Director of Photography: Jamie Ramsay
  • Editor: Lisa Zeno Churgin
  • Production Design: Richard Bloom
Ketchup Entertainment

Lee

  • Colorist: Jean-Clément Soret
  • Additional Colorist: Yoomin Lee
  • Finishing Editor: Thomas Lambert, Jeremy Crichton
  • Company 3, Producer: Cody Cardarelli
  • Director: Ellen Kuras, ASC
  • Director of Photography: Pawel Edelman
  • Editor: Mikkel E. G. Nielsen, ACE
  • Production Design: Gemma Jackson
Sky Originals + Roadside Attractions

Uglies

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Adam Nazarenko
  • Finishing Editor: John Diesso, Jennifer Raymond
  • Director: McG
  • Director of Photography: Xiaolong Liu
  • Editor: Bernfeld, Brad Besser
  • Production Design: John Collins
Netflix

Saturday Night

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Finishing Editor: Chad Schermerhorn
  • Dailies: Karli Windischmann
  • Company 3, Producer: Clay Woods
  • Director: Jason Reitman
  • Director of Photography: Eric Steelberg, ASC
  • Editor: Nathan Orloff, Shane Reid
  • Production Design: Jess Gonchor
Sony Pictures

The Thicket

  • Colorist: Joseph Bicknell  
  • Finishing Editor: Yoon Hee Hwang, Roger Wang  
  • Company 3, Production: Andras Toth, Sergio Corena Alvarez  
  • Director: Elliott Lester 
  • Director of Photography: Guillermo Garza  
  • Editor: Jean-Christophe Bouzy  
  • Production Design: Justin Ludwig   
Tubi

Incoming

  • Supervising Colorist: Mitch Paulson
  • Additional Colorist: Joel McWilliams
  • Finishing Editor: Jennifer Raymond
  • Company 3, Producer: Kelsea Williams
  • Director: Dave Chernin, John Chernin
  • Editor: Josh Crockett, Elizabeth Praino
Netflix

Deaner ’89

  • Colorist: Aurora Shannon 
  • Finishing Editor: Yoon Hee Hwang 
  • Company 3, Producer: Michael Gorlick 
  • Director: Sam McGlynn 
  • Director of Photography: Samy Inayeh, CSC 
  • Editor: Dean Harkema 
  • Production Design: Richard Simpson 
Mongrel Media

My Old Ass

  • Colorist: Sean Coleman
  • Finishing Editor: Darren Hinchy
  • Company 3, Producer: Chris Dewolde
  • Director: Megan Park 
  • Director of Photography: Kristen Correll
  • Editor: Jennifer Lee
  • Production Design:  Zazu Myers

Jackpot!

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Yoomin Lee
  • Finishing Editor: Stuart London, Julien Mathus
  • Dailies: Ben Estrada
  • Director: Paul Feig 
  • Director of Photography: John Schwartzman  
  • Editor: Brent White
Prime Video

Memes & Nightmares

  • Colorist: Jake White
  • Company 3, Producer: Michael Maida 
  • Director: Charles Todd, Matt Mitchener   
  • Director of Photography: Jared Levy 
  • Editor: Matt Mitchener  

Dead Whisper

  • Colorist: Tyler Roth  
  • Company 3, Producer: Megan White  
  • Director: Conor Soucy 
  • Director of Photography: Ben Grant  
  • Editor: Conor Soucy 
Vertical Entertainment

Beverly Hills Cop: Axel F

  • Supervising Colorist: Tom Poole
  • Colorist: Dustin Wadsworth
  • Finishing Editor: Chad Schermerhorn 
  • Dailies Colorist: Jack Tashdjian 
  • Company 3, Producer: Dawn Landon
  • Director: Mark Molloy 
  • Director of Photography: Eduard Grau  
  • Editor: Dan Lebental 
  • Production Design: Jahmin Assa 
Netflix

The Great Lilian Hall

  • Colorist: Dustin Wadsworth
  • Finishing Editor: Gina Kalim
  • Dailies: Company 3
  • Company 3, Producer: Laura Hickerson
  • Director: Michael Cristofer
  • Director of Photography: Simon Dennis
  • Editor: Joseph Krings
  • Production Design: Ina Mayhew
HBO

Harold and the Purple Crayon

  • Supervising Colorist: Jill Bogdanowicz 
  • Additional Colorist: Jared Pecht 
  • Finishing Editor: John Diesso 
  • Dailies Colorist: Karli Windischmann 
  • Company 3, Producer: Aaron Miller 
  • Director: Carlos Saldanha  
  • Director of Photography: Gabriel Beristain
  • Editor: Tia Nolan, Mark Helfrich 
  • Production Design: Shepherd Frankel
Sony Pictures

Trigger Warning

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Matt Osborne 
  • Finishing Editor: Chad Schermerhorn 
  • Dailies: Conrad Moreno
  • Company 3, Production: Dawn Landon, Gina Martin 
  • Director: Mouly Surya 
  • Director of Photography: Zoe White, ACS 
  • Editor: Chris Tonick, Robert Grigsby Wilson 
  • Production Design: Natasha Gerasimova 
Netflix

Bad Boys: Ride or Die

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Adam Nazarenko, Siggy Ferstl, Bryan Smaller
  • Finishing Editor: Matthew Johnson, John Diesso 
  • Dailies Colorist: Karli Windischmann
  • Director: Adil El Arbi, Bilall Fallah 
  • Director of Photography: Robrecht Heyvaert 
  • Editor: Dan Lebental, Asaf Eisenberg 
  • Editorial: Brandon Rosser, Greg Caliguri 
  • Production Design: Jon Billington 
  • VFX: Framestore
Sony Pictures

It Ends With Us

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie
  • Finishing Editor: Chris Doerr + Chad Schermerhorn
  • Dailies Colorist: Alex Kaufman
  • Director: Justin Baldoni
  • Director of Photography: Barry Peterson
  • Editor: Robb Sullivan
  • Production Design: Russell Barnes, Annie Simeone
Sony Pictures

A Quiet Place: Day One

  • Supervising Colorist: Tom Poole
  • Finishing Editor: Josh Perault
  • Dailies: Jake White
  • Director: Michael Sarnoski
  • Director of Photography: Pat Scola 
  • Production Design: Simon Bowles
Paramount Pictures

Twisters

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Parker Jarvie, Adam Nazarenko
  • Finishing Editor: John Diesso
  • Company 3, Producer: Erik Rogers, Taravet Yazdan Panah
  • Director: Lee Isaac Chung
  • Director of Photography: Dan Mindel ASC, BSC, SASC
  • Editor: Terilyn A. Shropshire
  • Production Design: Patrick M. Sullivan Jr.
Universal Pictures

Despicable Me 4

  • Colorist: Jason Hanel
  • Finishing Editor: Chris Doerr
  • Company 3, Producer: Kelsea Williams
  • Director: Chris Renaud, Patrick Delage
Universal Pictures

Cyndi Lauper: Let the Canary Sing

  • Colorist: Joanne Rourke
  • Re-Recording Mixer: Mike Baskerville 
  • Finishing Editor: Eric Myles 
  • Company 3, Producer: Gino Carletti 
  • Director: Alison Ellwood 
  • Director of Photography: Michelle McCabe 
  • Editor: Juli Vizza 
Paramount+

Summer Camp

  • Colorist: Dave Hussey 
  • Company 3, Producer: Jared Arkulary  
  • Director: Castille Landon 
  • Director of Photography: Karsten "Crash" Gopinath 
  • Editor: Morgan Halsey 
Roadside Attractions

Atlas

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Adam Nazarenko 
  • Finishing Editor: Chad Schermerhorn 
  • Company 3, Producer: Loan Phan 
  • Director: Brad Peyton 
  • Director of Photography: John Schwartzman 
  • Editor: Bob Ducsay 
  • Production Design: Barry Chusid 
Netflix

MaXXXine

  • Colorist:  Tom Poole
  • Additional Colorist: Dustin Wadsworth
  • Finishing Editor: Chad Schermerhorn
  • Dailies: Jack Tashdjian  
  • Company 3, Producer: Vanessa Galvez 
  • Director: Ti West
  • Director of Photography: Eliot Rockett 
  • Editor: Ti West
  • Production Design: Jason Kisvarday
A24

Deadpool & Wolverine

  • Colorist: Skip Kimball
  • Additional Colorist: Adam Nazarenko
  • Finishing Editor: John Diesso, Chris Doerr
  • Company 3, Production: Laura Holeman, Jessica Stone, Megan White
  • Director: Shawn Levy
  • Director of Photography: George Richmond, BSC
  • Editor: Dean Zimmerman ACE, Shane Reid
  • Production Design: Ray Chan
Marvel Studios

Transformers: One

  • Supervising Colorist: Mitch Paulson
  • Finishing Editor: Jennifer Raymond
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Josh Cooley
  • Editor: Lynn Hobson
  • Production Design: Jason William Scheier
  • Immersive 3D VFX: SDFX Studios
  • Stereographer: Jeremy Carroll
Paramount Animation

Daddio

  • Colorist: Skip Kimball
  • Finishing Editor: Raymond Ruotolo, Craig C. Price 
  • Company 3, Producer: Jared Arkulary 
  • Director: Christy Hall 
  • Director of Photography: Phedon Papamichael 
  • Editor: Lisa Zeno Churgin 
  • Production Design: Kristi Zea 
Sony Pictures Classic

Young Woman & The Sea

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Yoomin Lee 
  • Finishing Editor: Stuart London, Julien Mathus 
  • Dailies: Company 3  
  • Company 3, Producer: Gemma Saunders 
  • Director:  Joachim Rønning
  • Director of Photography: Oscar Faura   
  • Editor: Úna Ní Dhonghaíle ACE BFE 
  • Production Design: Nora Takacs Ekberg 
Walt Disney Studios

Joker: Folie À Deux

  • Supervising Colorist: Jill Bogdanowicz
  • Additional Colorist: Jared Pecht 
  • Finishing Editor: Matthew W. Johnson 
  • Dailies: Ben Estrada 
  • Company 3, Production: Erik Rogers, Taravat Yazdan Panah 
  • Director:  Todd Phillips 
  • Director of Photography: Lawrence Sher 
  • Editor: Jeff Groth
  • Production Design: Mark Friedberg 
Warner Bros.

Fly Me to the Moon

  • Colorist: Stephen Nakamura 
  • Finishing Editor: Chad Schermerhorn  
  • Dailies: Nick Winkelmann 
  • Trailers Marketing: Jim Eberle, Levi Hawkinson, Behnood Behjoo
  • Company 3, Producer: Clay Woods
  • Director: Greg Berlanti 
  • Director of Photography: Dariusz Wolski 
  • Editor: Harry Jierjian 
  • Production Design: Shane Valentino
Sony Pictures

Unsung Hero

  • Colorist: Cody Baker 
  • Finishing Editor: Eric Myles 
  • Company 3, Producer: Gino Carletti 
  • Director: Joel Smallbone, Richard L. Ramsey 
  • Director of Photography: Johnny Derango 
  • Editor: Parker Adams 
  • Production Design: Katherine Tucker 
Lionsgate

Mother of the Bride

  • Colorist: Matt Osborne 
  • Additional Colorist: Nick Nassif 
  • Finishing Editor: Joe Ken
  • Company 3, Production: Dawn Landon, Gina Martin 
  • Director: Mark Waters 
  • Director of Photography: Ed Wu 
  • Editor: Travis Sittard 
  • Production Design: Helen O’Loan 
Netflix

Abigail

  • Supervising Colorist: Mitch Paulson  
  • Finishing Editor: Jennifer Raymond
  • Company 3, Production: Vanessa Galvez   
  • Director: Matt Bettinelli-Olpin, Tyler Gillett 
  • Director of Photography: Aaron Morton  
  • Editor: Michael Shawver 
  • Production Design: Susie Cullen
Universal Pictures

Turtles All The Way Down

  • Colorist: Tim Stipan 
  • Finishing Editor: Chris Doerr
  • Company 3, Producer: Christine Dougherty
  • Director: Hannah Marks
  • Director of Photography: Bryan Burgoyne
  • Editor: Andrea Bottigliero
  • Production Design: Jennifer Klide
Max

Unfrosted

  • Supervising Colorist: Stephen Nakamura 
  • Additional Colorist: Nick Nassif 
  • Finishing Editor: Ian Passy 
  • Dailies: Jack Tashdjian   
  • Company 3, Producer: Aaron Miller 
  • Director: Jerry Seinfeld 
  • Director of Photography: Bill Pope, ASC 
  • Editor: Evan Henke 
  • Production Design: Clayton Hartley 
Netflix

Kinds of Kindness

  • Colorist: Greg Fisher 
  • Finishing Editor: Thomas Lambert
  • Company 3, Production: Christopher Nundy, Laura Metcalfe
  • Director: Yorgos Lanthimos 
  • Director of Photography: Robbie Ryan, BSC ISC
  • Editor: Yorgos Mavropsaridis, ACE 
  • Production Design: Anthony Gasparro
Searchlight Pictures

The Fall Guy

  • Colorist: Dave Hussey 
  • Finishing Editor: Joe Ken 
  • Dailies Colorist: Kent Pritchett 
  • Company 3, Producer: Aaron Miller 
  • Director: David Leitch 
  • Director of Photography: Jonathan Sela
  • Editor: Elísabet Ronaldsdóttir 
  • Production Design: David Scheunemann
Universal Pictures

Alien: Romulus

  • Supervising Colorist: Mitch Paulson 
  • Finishing Editor: Jennifer Raymond 
  • Company 3, Producer: Vanessa Galvez 
  • Director: Fede Alvarez 
  • Director of Photography: Galo Olivares 
  • Editor: Jake Roberts, ACE 
  • Production Design: Naaman Marshall 
20th Century Studios

The Greatest Hits

  • Colorist: Tom Poole
  • Finishing Editor: John Diesso
  • Dailies: Tom Klane
  • Company 3, Producer: Aaron Miller
  • Director: Ned Benson
  • Director of Photography: Chung-Hoon Chung
  • Editor: Saira Haider
  • Production Design: N.C. Page Buckner
Searchlight Pictures

The Crow

  • Colorist: Greg Fisher 
  • Additional Colorist: James Slattery 
  • Finishing Editor: Stuart London 
  • Finishing Producer: Gemma Saunders 
  • Director: Rupert Sanders 
  • Director of Photography: Steven Annis 
  • Production Design: Robin Brown 
Lionsgate

Wildcat

  • Colorist: Bill Ferwerda 
  • Finishing Editor: Eric Myles
  • Company 3, Producer: Chris Dewolde 
  • Director: Ethan Hawke 
  • Director of Photography: Steve Cosens 
  • Editor: Barry Poltermann 
  • Production Design:  Sarah Young 
Oscilloscope Laboratories

Ripple

  • Colorist: Jaime O'Bradovich
  • Company 3, Producer: Nick Krasnic
  • Director: Michael C. McCourt
  • Director of Photography: Daniel Stewart
  • Editor: Michael C. McCourt
The Verso

Arcadian

  • Colorist: Sean Coleman
  • Company 3, Producer: Clay Woods
  • Director: Ben Brewer
  • Director of Photography: Frank Mobilio
  • Editor: Kristi Shimek
  • Production Design: Shane McEnroe
Highland Film Group

Parachute

  • Colorist: Sean Coleman
  • Company 3, Production: Carl Moore, James Levine
  • Director: Brittany Snow
  • Director of Photography: Kristen KII Correll
  • Editor: Henry Hayes
  • Production Design: Michael Mizrahi
Vertical Enterntainment

The Neon Highway

  • Colorist: Billy Gabor 
  • Finishing Editor: Hunter Furnish 
  • Company 3, Producer: Scott Salamon 
  • Director: William Wages 
  • Director of Photography: Paul Krumper 
  • Editor: Cindy Parisotto 
  • Production Design: Rob Howeth 
Mountain Movies

The Lionheart

  • Colorist: Sean Coleman  
  • Finishing Editor: Hunter Furnish 
  • Company 3, Producer: Scott Salamon 
  • Executive Producer: Chapman Way, Maclain Way  
  • Director: Laura Brownson 
  • Editor: Jonathan Sutak 
Max

IF

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Drew Geary
  • Finishing Editor: Nick Figueroa
  • Dailies: John Vladic
  • Company 3, Producer: Zac Gobetz
  • Director: John Krasinski
  • Director of Photography: Janusz Kaminski
  • Editor: Chris Rouse, Andy Canny 
  • Production Design: Jess Gonchor
Paramount Pictures

Dogman

  • Colorist: Yvan Lucas
  • Director: Luc Besson
  • Director of Photography: Colin Wandersman
  • Editor: Julien Rey
  • Production Design: Hugues Tissandier
Luc Besson Production

Shirley

  • Colorist: Kath Raisch
  • Additional Colorist: Jake White
  • Finishing Editor: Gina Kalim
  • Company 3, Producer: Kate Albers
  • Director: John Ridley
  • Director of Photography: Ramsey Nickell
  • Editor: JoAnne Yarrow, ACE
  • Production Design: Dina Goldman
Netflix

Damsel

  • Colorist: Greg Fisher 
  • Finishing Editor: Stuart London 
  • Dailies: Doychin Margoevski
  • Company 3, Producer: Gemma Saunders
  • Director: Juan Carlos Fresnadillo 
  • Director of Photography: Larry Fong, ASC 
  • Editor: John Gilbert 
  • Production Design: Patrick Tatopoulos 
Netflix

Madame Web

  • Supervising Colorist: Jill Bogdanowicz 
  • Additional Colorist: Dustin Wadsworth
  • Finishing Editor: Joshua Perault 
  • Dailies: Rich Flores, Mike Grasela, Alex Kaufman 
  • Company 3, Producer: Kate Albers 
  • Director: S.J. Clarkson 
  • Director of Photography: Mauro Fiore 
  • Editor: Leigh Folsom Boyd 
  • Production Design: Ethan Tobman 
Columbia Pictures

Accidental Texan

  • Colorist: Jaime O'Bradovich
  • Finishing Editor: Josh Perault
  • Company 3, Producer: Alexandra P. Garcia 
  • Director: Mark Bristol
  • Director of Photography: Matt Wise  
  • Editor: James Crouch
  • Production Design: Scott Daniel  
Roadside Attractions

The Underdoggs

  • Supervising Colorist: Mitch Paulson
  • Additional Colorist: Joel McWilliams
  • Finishing Editor: Jennifer Raymond
  • Company 3, Producer: Vanessa Galvez
  • Director: Charles Stone III
  • Director of Photography: Mitch Amundsen
  • Editor: Paul Millspaugh ACE
  • Production Design: Mark Garner
MGM Studios

Tarot

  • Colorist: Tyler Roth
  • Company 3, Producer: Dawn Landon
  • Director: Spenser Cohen, Anna Halberg
  • Director of Photography: Elie Smolkin 
  • Editor: Tom Elkins
  • Production Design: Felicity Abbott
Sony Pictures Entertainment

Ghostbusters: Frozen Empire

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Adam Nazarenko 
  • Finishing Editor: Matthew Johnson
  • Dailies Colorist: Doychin Margoevski 
  • Company 3, Production: Erik Rogers, Zach Watkins
  • Director: Gil Kenan 
  • Director of Photography: Eric Steelberg 
  • Editor: Nathan Orloff, Shane Reid 
  • Production Design: Eve Stewart 
Sony Pictures

Lisa Frankenstein

  • Colorist: Dave Hussey
  • Finishing Editor: Gina Kalim
  • Dailies: Ryan Hymel
  • Company 3, Producer: Kate Albers
  • Director: Zelda Williams
  • Director of Photography: Paula Huidobro
  • Editor: Brad Turner
  • Production Design: Mark Worthington
Focus Features

Road House

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Drew Geary
  • Finishing Editor: Nicholas Figueroa, Angelica Lopez
  • Company 3, Producer: Zac Gobetz
  • Director: Doug Liman
  • Director of Photography: Henry Braham
  • Editor: Doc Crotzer 
  • Production Design: Greg Berry
Prime Video

Origin

  • Colorist: Tom Poole
  • Finishing Editor: Raymond Ruotolo
  • Dailies: Karli Windischmann
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Ava DuVernay
  • Director of Photography: Mathew J. Lloyd, ASC
  • Editor: Spencer Averick
  • Production Design: Ina Mayhew
Neon

The Tiger’s Apprentice

  • Colorist: Jason Hanel 
  • Finishing Editor: Jennifer Raymond
  • Company 3, Producer: Vanessa Galvez-Morez 
  • Director: Raman Hui, Yong Duk Jhun, Paul Watling
  • Director of Photography: Christopher Batty
  • Editor: Wayne Wahrman
  • Production Design: Christophe Lautrette 
Paramount+

Spaceman

  • Colorist: Jean-Clément Soret 
  • Finishing Editor: Gina Kalim 
  • Dailies: Company 3
  • Company 3, Production: Michael Maida, Cody Cardarelli 
  • Director: Johan Renck 
  • Director of Photography: Jakob Ihre
  • Editor: John Axelrad ACE 
  • Production Design: Jan Houllevigue 
Netflix

VESELKA | The Rainbow on the Corner at the Center of the World

  • Colorist: Jaime O’Bradovich 
  • Company 3, Producer: Krystle Annand 
  • Director: Michael Fiore  
  • Director of Photography: Bill Winters
  • Editor: Michael Fiore
Fiore Media Group

The First Omen

  • Colorist: Stephen Nakamura
  • Finishing Editor: Joe Ken
  • Company 3, Production: Phillip Marvin, James Levine
  • Director: Bob Murawski
  • Director of Photography: Aaron Morton 
  • Editor: Amy E. Duddleston, Bob Murawski
20th Century Studios

Kung Fu Panda 4

  • Colorist: Jason Hanel (3D)
  • Finishing Editor: Patrick Perron
  • Company 3, Production: Jacob Blum, Jared Arkulary
  • Director: Mike Mitchell, Stephanie Ma Stine
  • Editor: Christopher Knights
  • Production Design: Raymond Zibach
  • Immersive 3D VFX: SDFX Studios
  • Stereographer: Jeremy Carroll
Universal Pictures

Miller’s Girl

  • Colorist: Joel McWilliams
  • Finishing Editor: Chris Doerr, Patrick Clancey
  • Company 3, Producer: Kelsea Williams 
  • Director: Jade Halley Bartlett 
  • Director of Photography: Daniel Brothers
  • Editor: Vanara Taing
  • Production Design: Cheyenne Ford
Lionsgate

Which Brings Me to You

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Drew Geary 
  • Finishing Editor: Nicholas Figueroa
  • Company 3, Production: Zac Gobetz, Michael Maida 
  • Director: Peter Hutchings  
  • Director of Photography: Karina Silva 
  • Editor: Jason Nicholson
  • Production Design: Adri Siriwatt 
Decal Releasing

Bob Marley: One Love

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: James Slattery
  • Finishing Editor: Stuart London, Julien Mathus
  • Company 3, Production: Erik Rodgers, Zach Watkins, Taravat Yazdan Panah
  • Director: Antoine Fuqua
  • Director of Photography: Robert Richardson
  • Editor: Conrad Buff IV
  • Production Design: Naomi Shohan
  • Finishing: Paul Carlin
Paramount Pictures

The Book of Clarence

  • Colorist: Greg Fisher 
  • Finishing Editor: Thomas Lambert 
  • Company 3, Producer: Christopher Nundy 
  • Director: Jeymes Samuel 
  • Director of Photography: Rob Hardy
  • Editor: Tom Eagles 
  • Production Design: Peter Walpole
Sony Pictures

Femme

  • Colorist: Joseph Bicknell
  • Finishing Editor: Thomas Lambert, Jeremy Crichton
  • Company 3, Production: Christopher Nundy, Cody Cardarelli
  • Director: Sam H. Freeman, Ng Choon Ping
  • Director of Photography: James Rhodes
  • Editor: Selina Macarthur
  • Production Design: Christopher Melgram
BBC Film

Fitting In

  • Colorist: Dave Muscat
  • Finishing Editor: Darren Hinchy
  • Company 3, Producer: Chris Dewolde
  • Director: Molly McGlynn 
  • Director of Photography: Nina Djacic
  • Editor: Maureen Grant 
  • Production Design: Thea Hollatz
Elevation Pictures

Imaginary

  • Colorist: Andrew Geary 
  • Finishing Editor: Nicholas Figueroa 
  • Company 3, Producer: Ray Stanton 
  • Director: Jeff Wadlow 
  • Director of Photography: James McMillian 
  • Editor: Sean Albertson ACE 
  • Editorial: Brandon Rosser, Gregory Caligiuri
  • Production Design: Meghan C. Rogers 
Blumhouse Pictures

Arthur the King

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Parker Jarvie
  • Re-Recording Mixer: Christian Cooke, J.R. Fountain
  • Finishing Editor: Adrian Saywell  
  • Dailies: Company 3
  • Company 3, Production: Amanda Champion, Tatianna Kroha 
  • Director: Simon Cellan Jones 
  • Director of Photography: Jacques Jouffret ASC 
  • Editor: Gary Roach ACE 
  • Production Design: Mailara Santana
Lionsgate

The Marvels

  • Supervising Colorist: Tom Poole
  • Additional Colorist: Adam Nazarenko
  • Finishing Editor: Paul Carlin, John Diesso
  • Company 3, Production: Jessica Stone, Megan White
  • Director: Nia DaCosta 
  • Director of Photography: Sean Bobbitt 
  • Editor: Evan Schiff, Catrin Hedstrom
  • Production Design: Cara Brower 
  • Immersive 3D VFX: SDFX Studios
  • Stereographer: Jason Bomstein
Marvel Studios

Lift

  • Colorist: Stephen Nakamura 
  • Finishing Editor: Chad Schermerhorn 
  • Dailies Colorist: Mal Campbell 
  • Company 3, Producer: Aaron Miller 
  • Director: F. Gary Gray 
  • Director of Photography: Bernhard Jasper 
  • Editor: William Yeh, Richard Pearson ACE, Adoma Ananeh-Firempong 
  • Production Design: Dominic Watkins 
Netflix

Finestkind

  • Colorist: Sofie Borup 
  • Finishing Editor: Nicholas Figueroa
  • Company 3, Production: Laura Hickerson, Julia Ward
  • Director: Brian Helgeland 
  • Director of Photography: Crille Forsberg 
  • Editor: Stuart Levy 
  • Production Design: Richard Hoover 
Paramount Plus

Family Switch

  • Supervising Colorist: Tom Reiser 
  • Colorist: Jason Hanel 
  • Finishing Editor: Chris Doerr  
  • Dailies Colorist: Tom Klane 
  • Company 3, Producer: Kelsea Williams  
  • Director: McG 
  • Director of Photography: Marc Spicer  
  • Editor: Brian Scott Olds  
  • Production Design: Jennifer Spence  
Netflix

Dashing Through the Snow

  • Colorist: Dave Hussey 
  • Additional Colorist: Nick Nassif 
  • Finishing Editor: Chad Schermerhorn 
  • Company 3, Producer: Philip Marvin
  • Director: Tim Story 
  • Director of Photography: Christopher Duskin 
  • Editor: David S. Clark, David Rennie ACE
  • Production Design: Danielle Osborne
Disney+

Maestro

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Drew Geary
  • Finishing Editor: Nick Figueroa, Gina Kalim
  • Dailies: Benny Estrada
  • Company 3, Producer: Margaret Lewis, Gregory Caligiuri
  • Director: Bradley Cooper
  • Director of Photography: Matthew Libatique
  • Editor: Michelle Tesoro
  • Production Design: Kevin Thompson
Netflix

Under the Boardwalk

  • Supervising Colorist: Mitch Paulson 
  • Finishing Editor: Jennifer Raymond  
  • Company 3, Producer: Vanessa Galvez 
  • Director: David Soren 
  • Director of Photography: Scott McGinley 
  • Editor: David Ian Salter, ACE 
  • Production Design: Shannon Jeffries, Christopher Zibach 
Paramount Pictures

Leave the World Behind

  • Colorist: Tom Poole
  • Finishing Editor: Chad Schermerhorn, Josh Perault 
  • Dailies Colorist: Alex Kaufman
  • Company 3, Producer: Michael Maida 
  • Director: Sam Esmail  
  • Director of Photography: Tod Campbell  
  • Editor: Lisa Lassek 
  • Production Design: Anastasia White
Netflix

The Boys in the Boat

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Parker Jarvie
  • Finishing Editor: Thomas Lambert 
  • Company 3, Production: Cody Cardarelli, James Levine
  • Director: George Clooney
  • Director of Photography: Martin Ruhe 
  • Editor: Tanya M. Swerling 
  • Production Design: Kalina Ivanov 
Amazon MGM Studios

If You Were the Last

  • Supervising Colorist: Tom Poole
  • Colorist: Dustin Wadsworth
  • Finishing Editor: Josh Perault
  • Company 3, Producer: Michael Maida
  • Director: Kristian Mercado
  • Director of Photography: Alex Disenhof
  • Editor: Henry Hayes
  • Production Design: Christopher Stull
Peacock

Please Don’t Destroy: The Treasure of Foggy Mountain

  • Colorist: Matt Wallach
  • Finishing Editor: Patrick Clancey 
  • Company 3, Producer: Kelsea Williams 
  • Director: Paul Briganti 
  • Director of Photography: Isiah Donté Lee 
  • Editor: Daniel Gabbe 
  • Production Design: Bruce Curtis 
Peacock

Candy Cane Lane

  • Supervising Colorist: Jill Bogdanowicz 
  • Additional Colorist: Jared Pecht
  • Finishing Editor: Paul Carlin 
  • Dailies: Rich Flores 
  • Company 3, Producer: Philip Marvin
  • Director: Reginald Hudlin 
  • Director of Photography: Tom Sigel 
  • Editor: Jim May 
  • Production Design: Aaron Osborne 
Amazon Prime

The Iron Claw

  • Colorist: Sofie Borup 
  • Finishing Editor: Pat Kelleher 
  • Dailies Colorist: Rich Flores
  • Company 3, Producer: Kate Albers  
  • Director: Sean Durkin 
  • Director of Photography: Mátyás Erdély 
  • Editor: Matthew Hannam 
A24

The Color Purple

  • Colorist: Stefan Sonnenfeld 
  • Additional Colorist: Adam Nazarenko (Film), Adrian Delude (Trailer)
  • Finishing Editor: Joe Ken 
  • Dailies Colorist: Nicholas Winkleman 
  • Company 3, Production: Dawn Landon (Film), Michael Bryant (Trailer)
  • Director: Blitz Bazawule 
  • Director of Photography: Dan Laustsen 
  • Editor: Jon Poll 
  • Production Design: Paul D. Austerberry 
Warner Bros.

The Beekeeper

  • Supervising Colorist: Jill Bogdanowicz 
  • Colorist: Jared Pecht
  • Additional Colorist: Duncan Byrnes
  • Finishing Editor: Paul Carlin 
  • Company 3, Producer: Philip Marvin
  • Director: David Ayer 
  • Director of Photography: Gabriel Beristain 
  • Editor: Geoffrey O'Brien 
  • Production Design: Ben Munro 
MGM

All The Light We Cannot See

  • Colorist: Skip Kimball
  • Finishing Editor: Craig C. Price, Raymond Ruotolo
  • Company 3, Producer: Jared Arkulary
  • Director: Shawn Levy
  • Director of Photography: Tobias A. Schliessler
  • Editor: Dean Zimmerman, Casey Cichocki
  • Production Design: Simon Elliott
Netflix

Priscilla

  • Re-Recording Mixer: Steve Foster, Stephen Barden
  • Dailies: Company 3
  • Company 3, Producer: Shane Allan
  • Director: Sofia Coppola
  • Director of Photography: Philippe Le Sourd 
  • Editor: Sarah Flack
  • Production Design: Tamara Deverell
A24

All of Us Strangers

  • Colorist: Joseph Bicknell
  • Finishing Editor: Stuart London, Julien Mathus
  • Company 3, Producer: Gemma Saunders
  • Director: Andrew Haigh
  • Director of Photography: Jamie Ramsay
  • Editor: Jonathan Alberts
  • Production Design: Sarah Finlay
Searchlight Pictures

The Wonderful Story of Henry Sugar

  • Colorist: Gareth Spensley
  • Additional Colorist: Gareth Thomas
  • Finishing Editor: Justin Eely
  • Dailies: Doychin Margoevski
  • Company 3, Producer: Joanna Burt, Hannah Perkins
  • Director: Wes Anderson
  • Director of Photography: Robert D. Yeoman, ASC
  • Editor: Barney Pilling, Andrew Weisblum
  • Production Design: Adam Stockhausen
Netflix

Dark Harvest

  • Colorist: Jean-Clément Soret 
  • Additional Colorist: Yoomin Lee, Theresa Crooks 
  • Finishing Editor: Gareth Thomas 
  • Company 3, Production: Laura Metcalfe, Cody Cardarelli 
  • Director: David Slade 
  • Director of Photography: Larry Smith
  • Editor: Art Jones 
  • Production Design: Patti Podesta
MGM

How To Have Sex

  • Colorist: Joseph Bicknell
  • Finishing Editor: Stuart London
  • Company 3, Producer: Gemma Saunders
  • Director: Molly Manning Walker 
  • Director of Photography: Nicolas Canniccioni 
  • Editor: Fin Oates
  • Production Design: Luke Moran Morris
Film4

Pet Sematary: Bloodlines

  • Supervising Colorist: Mirch Paulson
  • Additional Colorist: Tom Reiser
  • Finishing Editor: Jennifer Raymond
  • Dailies: Company 3
  • Company 3, Executive Producer: Vanessa Galvez-Morez 
  • Director: Lindsey Beer 
  • Director of Photography: Benjamin Kirk Nielsen 
  • Editor: Ken Blackwell, Jan Kovác  
  • Production Design: Adam Scher 
Paramount Pictures

Totally Killer | Season 1

  • Colorist: Siggy Ferstl
  • Finishing Editor: Yoon Hee Hwang
  • Dailies Colorist: Jaan Spirka
  • Company 3, Production: Melissa Lee, Chris Ward
  • Director: Nahnatchka Khan
  • Director of Photography: Judd Overton
  • Editor: Jeremy Cohen
  • Production Design: Elizabeth Kay
Prime Video

Quiz Lady

  • Colorist: Walter Volpatto
  • Finishing Editor: Chris Doerr
  • Company 3, Producer: Loan Phan
  • Director: Jessica Yu
  • Director of Photography: Adrian Peng Correia
  • Editor: Nat Sanders, Susan Vaill
  • Production Design: Jeff Mann
20th Century Studios | Hulu

Nyad

  • Colorist: Stephen Nakamura
  • Additional Colorist: Andrew Geary 
  • Finishing Editor: Josh Perault
  • Company 3, Producer: Kate Albers
  • Director: Elizabeth Chai Vasarhelyi, Jimmy Chin
  • Director of Photography: Claudio Miranda
  • Editor: Christopher Tellefsen
Netflix

The Burial

  • Colorist: Tim Stipan
  • Finishing Editor: Nicholas Figueroa
  • Company 3, Production: Zac Gobetz, Julia Ward
  • Director: Maggie Betts
  • Director of Photography: Maryse Albertii
  • Editor: Lee Percy, Jay Cassidy
  • Production Design: Kay Lee
Prime Video

The Bikeriders

  • Supervising Colorist: Mitch Paulson
  • Finishing Editor: Jennifer Raymond
  • Dailies: Rich Flores
  • Company 3, Producer: Vanessa Galvez
  • Director: Jeff Nichols
  • Director of Photography: Adam T. Stone
  • Editor: Julie Monroe
  • Production Design: Chad Keith
20th Century Studios

No One Will Save You

  • Colorist: Stephen Nakamura 
  • Finishing Editor: Chad Schermerhorn
  • Dailies Colorist: Ryan Hymel
  • Company 3, Producer: Clay Woods
  • Director: Brian Duffield
  • Director of Photography: Aaron Morton
  • Editor: Gabriel Fleming
  • Production Design: Ramsey Avery
20th Century Studios

Saltburn

  • Colorist: Matt Wallach
  • Finishing Editor: Thomas Lambert, Jeremy Crichton
  • Dailies: Doychin Margoevski
  • Company 3, Production: Leigh Meyers, Ann Dawson 
  • Director: Emerald Fennell
  • Director of Photography: Linus Sandgren 
  • Editor: Victoria Boydell
Amazon MGM Studios

Ferrari

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Adam Nazarenko
  • Finishing Editor: Joe Ken
  • Company 3, Production: Erik Rogers, Zach Watkins
  • Director: Michael Mann
  • Director of Photography: Erik Messerschmidt
  • Editor: Pietro Scalia
  • Production Design: Maria Djurkovic
Neon

Ordinary Angels

  • Colorist: Joel McWilliams 
  • Finishing Editor: Jennifer Raymond 
  • Company 3, Producer: Kelsea Williams 
  • Director: Jon Gunn 
  • Director of Photography: Maya Bankovic
  • Editor: Parker Adams 
  • Production Design: Nazgol Goshtasbpour
Lionsgate

Rustin

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Andrew Geary
  • Finishing Editor: Josh Perault
  • Dailies Colorist: Alex Kaufman
  • Director: George C. Wolfe
  • Director of Photography: Tobias A. Schliessler
  • Editor: Andrew Mondshein
  • Production Design: Mark Ricker
Netflix

Rebel Moon Part 1: A Child of Fire

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Adam Nazarenko
  • Finishing Editor: Matthew W. Johnson
  • Dailies Colorist: Shane O’Connor
  • Company 3, Production: Erik Rogers, Zach Watkins, Taravat Yazdan Panah
  • Director: Zack Snyder
  • Director of Photography: Zack Snyder
  • Editor: Dody Dorn
  • Production Design: Stefan Dechant, Stephen Swain
  • VFX: Framestore
Netflix

Zombie Town

  • Colorist: Dave Muscat
  • Finishing Editor: Darren Hinchy 
  • Company 3, Producer: Gino Carletti 
  • Director: Peter Lepeniotis
  • Director of Photography: Rudolf Blahacek
  • Editor: Brian Noon, Marc Roussel 
  • Production Design: Mark Kowalsky
Viva Pictures

Untold: Walk of Shame

  • Colorist: Sean Coleman
  • Finishing Editor: Hunter Furnish
  • Company 3, Producer: Scott Salamon
  • Director: Bryan Storkel
  • Director of Photography: Michael Latham
  • Editor: Evan Vetter
Netflix

You Are So Not Invited To My Bat Mitzvah

  • Colorist: Tyler Roth 
  • Finishing Editor: Aaron Bennett 
  • Dailies Colorist: Kelly Milligan
  • Company 3, Producer: Philip Marvin
  • Director: Sammi Cohen
  • Director of Photography: Ben Hardwicke 
  • Editor: Brian Robinson, Jamie Keeney
  • Production Design: Perry Andelin Blake
Netflix

When Morning Comes

  • Colorist: Ian Passy
  • Re-Recording Mixer: Lana Marie Hattar, Mark Zsifkovits
  • Finishing Editor: Patrick Perron
  • Company 3, Producer: Lindsay Adam
  • Director: Kelly Fyffe-Marshall   
  • Director of Photography: Jordan Oram
  • Editor: Nicole Sison
  • Production Design: Rachelle Williams
Photon Films + Media

Untold: Johnny Football

  • Colorist: Sean Coleman
  • Finishing Editor: Hunter Furnish
  • Company 3, Producer: Scott Salamon
  • Director: Ryan Duffy
  • Director of Photography: Matthew Chavez, David Bolen
  • Editor: Freddie DeLaVega
Netflix

Dicks: The Musical

  • Colorist: Dave Hussey
  • Finishing Editor: John Diesso
  • Company 3, Producer: Dawn Landon
  • Director: Larry Charles
  • Director of Photography: Michelle Lawler
  • Editor: Al LeVine
  • Production Design: Steven Wolff
A24

Untold: Jake Paul the Problem Child

  • Colorist: Sean Coleman
  • Finishing Editor: Hunter Furnish
  • Company 3, Producer: Scott Salamon
  • Director: Andrew Renzi
  • Director of Photography: Jeff Louis Peterman
  • Editor: Taylor Alexander Ward
Netflix

Haunted Mansion

  • Colorist: Jill Bogdanowicz
  • Additional Colorist: Jared Pecht
  • Finishing Editor: Matthew Johnson
  • Dailies Colorist: Ryan Hymel, Gabriele McIntyre, Nicholas Winkelmann
  • Company 3, Production: Erik Rogers, Zach Watkins, Taravat Yazdan Panah
  • Director: Justin Simien
  • Director of Photography: Jeffrey Waldron
  • Editor: Phillip J. Bartell
  • Production Design: Darren Gilford
Walt Disney Studios

Migration

  • Colorist: Jason Hanel
  • Finishing Editor: Chris Doerr
  • Company 3, Producer: Loan Phan
  • Director: Benjamin Renner, Guylo Homsy
  • Editor: Christian Gazal
  • Production Design: Colin Stimpson
Universal Pictures

Dreamin’ Wild

  • Colorist: Tom Poole
  • Finishing Editor: Nicholas Figueroa
  • Company 3, Producer: Zac Gobetz
  • Director: Bill Pohlad
  • Director of Photography: Arnaud Potier
  • Editor: Annette Davey
Roadside Attractions

Corner Office

  • Colorist: Jean-Clément Soret
  • Finishing Editor: Jay Harada
  • Company 3, Production: Ellora Soret, Caroline Simpson
  • Director: Joachim Back
  • Director of Photography: Pawel Edelman
  • Editor: James Norris
  • Production Design: Troy Hansen
Lionsgate

Five Nights at Freddy’s

  • Colorist: Mitch Paulson
  • Finishing Editor: Jennifer Raymond
  • Dailies Colorist: Ryan Hymel
  • Company 3, Producer: Vanessa Galvez
  • Director: Emma Tammi
  • Director of Photography: Lyn Moncrief
  • Editor: Andrew Wesman
  • Production Design: Marc Fisichella
Universal Pictures

Name Me Lawand

  • Colorist: Matthieu Toullet
  • Director: Edward Lovelace
  • Director of Photography: Ben Fordesman
BFI

Retribution

  • Supervising Colorist: Mitch Paulson
  • Finishing Editor: Jennifer Raymond
  • Company 3, Producer: Vanessa Galvez
  • Director: Nimród Antal 
  • Director of Photography: Flavio Martínez Labiano
  • Editor: Steve Mirkovich
Roadside Attractions

The Slumber Party

  • Colorist: Jake White
  • Finishing Editor: Gina Kalim
  • Dailies: Marc Lulkin
  • Company 3, Producer: Michael Maida
  • Director: Veronica Rodriguez
  • Director of Photography: Michelle Lawler
  • Editor: Jesse Gordon
  • Production Design: Timothy O'Brien
Disney+

Dumb Money

  • Colorist: Tom Poole
  • Additional Colorist: Dustin Wadsworth
  • Finishing Editor: Nicholas Figueroa, Gina Kalim
  • Dailies Colorist: Company 3
  • Company 3, Producer: Zac Gobetz
  • Director: Craig Gillespie
  • Director of Photography: Nicolas Karakatsanis
  • Editor: Kirk Baxter
  • Production Design: Scott Kuzio
Sony Pictures

The Blind

  • Colorist: Anne Boyle
  • Additional Colorist: Michael Marr
  • Finishing Editor: Matthew Shuttleworth, William Romines IV
  • Company 3, Production: Michael Gorlick, Jack Morin
  • Studio: Tread Lively
  • Director: Andrew Hyatt
  • Director of Photography: Chris Stacey
  • Editor: John Lange
  • Production Design: Christian Snell
Tread Lively

Joy Ride

  • Colorist: Anne Boyle
  • Finishing Editor: Yoon Hee Hwang & Roger Wang
  • Dailies: Mykel Thuncher
  • Company 3, Producer: Andras Toth
  • Director: Adele Lim
  • Editor: Nena Erb
  • Production Design: Michael Norman Wong
Lionsgate

WHAM!

  • Supervising Colorist: Stefan Sonnenfeld 
  • Colorist: James Slattery
  • Company 3, Producer: Christopher Nundy
  • Director: Chris Smith
  • Editor: Gregor Lyon
Netflix

PAW Patrol: The Mighty Movie

  • Colorist: Bill Ferwerda
  • Re-Recording Mixer: Bernard Gariépy Strobl, J.R. Fountain
  • Finishing Editor: Adrian Saywell
  • Company 3, Producer: Lindsay Adam
  • Director: Cal Brunker
  • Editor: Ed Fuller
Paramount Pictures

The Crusades

  • Colorist: Matt Wallach
  • Company 3, Producer: Caroline Chabourne
  • Director: Leo Milano
  • Director of Photography: Dillon Schneider
  • Editor: Brent McReynolds
  • Production Design: Rachel Cole
VMI Worldwide

Take Care of Maya

  • Colorist: Tyler Roth
  • Finishing Editor: Hunter Furnish
  • Company 3, Production: Scott Salamon, Aaron Miller
  • Director: Henry Roosevelt
  • Director of Photography: Patrick Ginnetty
  • Editor: Jawad Metni, Pax Wassermann
Netflix

The Out-Laws

  • Colorist: Stefan Sonnenfeld
  • Additional Colorist: Adam Nazarenko
  • Finishing Editor: John Diesso
  • Dailies: Marc Lulkin
  • Company 3, Producer: Eric Rogers + Zach Watkins
  • Director: Tyler Spindel
  • Director of Photography: Michael Bonvillain, ASC
  • Editor: Ian Kezsbom + Phillip Kimsey 
  • Production Design: Jon Billington
Netflix

Teenage Mutant Ninja Turtles: Mutant Mayhem

  • Supervising Colorist: Mitch Paulson
  • Colorist: Joel McWilliams
  • Finishing Editor: Jennifer Raymond
  • Company 3, Producer: Vanessa Galvez-Morez
  • Director: Jeff Rowe + Kyler Spears
  • Editor: Greg Levitan
  • Production Design: Yashar Kassai
  • Immersive 3D VFX: SDFX Studios
  • Stereographer: Jeremy Carroll
Paramount Pictures