Work > Sound

Den of Thieves: Pantera

Colorist: Tony Dustin
Re-Recording Mixer: Christian T. Cooke, Mark Zsifkovits
Finishing Editor: Darren Hinchy
Company 3, Producer: Chris Dewolde
Director: Christian Gudegast
Director of Photography: Terry Stacey, ASC
Editor: Roberth Nordh
Production Design: Sébastien Inizan

A Good Girl’s Guide to Murder

Colorist: Paul Staples
Re-Recording Mixer: Mathew Knights
Finishing Editor: Nick Pratt
Company 3, Production: Miles Gibbons, Alice Greenland, Ana Quiroga
Director: Dolly Wells, Tom Vaughan
Director of Photography: Seppe Van Grieken, Michael Filocamo
Editor: Rachel Durance, Zsófia Tálas
Production Design: Beck Rainford

Megalopolis

Re-Recording Mixer: Christian T. Cooke, Brad Zoern
Dailies: Marc Lulkin
Company 3, Producer: Sarah Riley
Director: Francis Ford Coppola
Director of Photography: Mihai Malaimare Jr.
Editor: Cam McLauchlin, Glen Scantlebury
Production Design: Bradley Rubin, Beth Mickle

American Zoetrope

Hotel Cocaine

Re-Recording Mixer: Alan deGraff, Lana Marie Hattar
Company 3, Producer: Chris Dewolde
Director: Guillermo Navarro, Fernando Rovzar, Sara Seligman
Director of Photography: Josep Civit, Alvaro Navarro
Editor: Ben Wilkinson, Ana Yavari, Dan Briceno
Production Design: Raymundo Cabrera

Archie

Re-Recording Mixer: Adam Gama Davidson
Company 3, Producer: Ana Quiroga
Director: Paul Andrew Williams
Director of Photography: Laurens De Geyter
Editor: James Taylor
Production Design: Jacqueline Smith

ITV (UK) | Britbox (US)

Arthur the King

Colorist: Stefan Sonnenfeld
Additional Colorist: Parker Jarvie
Re-Recording Mixer: Christian Cooke, J.R. Fountain
Finishing Editor: Adrian Saywell
Dailies: Company 3
Company 3, Production: Amanda Champion, Tatianna Kroha
Director: Simon Cellan Jones
Director of Photography: Jacques Jouffret ASC
Editor: Gary Roach ACE
Production Design: Mailara Santana

Priscilla

Re-Recording Mixer: Steve Foster, Stephen Barden
Dailies: Company 3
Company 3, Producer: Shane Allan
Director: Sofia Coppola
Director of Photography: Philippe Le Sourd
Editor: Sarah Flack
Production Design: Tamara Deverell

The Horror of Dolores Roach

Colorist: Bill Ferwerda
Additional Colorist: Ian Passy
Re-Recording Mixer: Mike Baskerville, Jamie Sulek
Finishing Editor: Adrian Saywell
Company 3, Producer: Shane Allen
Director: Hiromi Kamata, Eduardo Sánchez, America Young, Roxann Dawson, Edward Ornelas
Director of Photography: James Takata
Editor: Roslyn Kalloo, Jorge Weisz, Andrew Wesman
Production Design: Britt Doughty, Oleg M. Savytski

Fubar | Season 1

Colorist: Tony Dustin
Re-Recording Mixer: Alan deGraaf + Eric Apps
Finishing Editor: Darren Hinchy
Company 3, Producer: Lindsay Adam
Director: Phil Abraham, Holly Dale, Steve Adelson, Stephen Surjik
Director of Photography: Craig Wrobleski, Colin Hoult, Michael McMurray
Editor: J.J. Geiger, Eric Seaburn, Anthony Miller, Sang Han
Production Design: Andrew Stearn

The Great | Season 3

Colorist: Paul Staples
Re-Recording Mixer: Adam Davidson + Mathew Knights
Finishing Editor: Nick Pratt
Company 3, Production: Alice Greenland, Carolynne Philpott + Ana Quiroga
Director: Matthew Moore, Sheree Folkson , Jaffar Mahmood + Tricia Brook
Director of Photography: Catherine Derry, Caroline Bridges + Sergio Delgado
Editor: Billy Sneddon, Edel McDonnell + Anthony Boys
Production Design: Francesca Di Mottola

Lionsgate+ (UK) | Hulu (US)

Sex/Life S2

Colorist: Joanne Rourke
Re-Recording Mixer: Steve Foster, Lana-Marie Hattar
Finishing Editor: Motassem Younes
Company 3, Producer: Jake Blum
Director: Jessika Borsiczky, Sheree Folkson, Rachel Raimist
Director of Photography: David Makin, Kim Derko
Editor: Scott Wallace

The Consultant

Colorist: Tony Dustin
Re-Recording Mixer: Christian T. Cooke, Bret Killoran + Mark Zsifkovits
Finishing Editor: Darren Hinchy
Dailies Colorist: John St. Laurent
Company 3, Producer: Chris Dewolde
Director: Daniel Attias, Charlotte Brändström, Alexis Ostrander, Matt Shakman + Karyn Kusama
Director of Photography: Jess Hall, Elie Smolkin + Eduardo E. Mayén
Editor: Dan Briceno, Jonathan Eagan, Lara Johnston + Wendy Hallam Martin
Production Design: Rachel Tenner

The Walk In

Colorist: Paul Staples
Re-Recording Mixer: Adam Davidson
Finishing Editor: Andrew Cave
Director: Paul Andrew Williams
Director of Photography: Aaron Reid
Editor: James Taylor, John Michael Murphy
Production Design: Anna Mould

Wednesday | Season 1

Colorist: Siggy Ferstl (Episode 1) + Joanne Rourke (Episodes 2-8)
Re-Recording Mixer: Mike Baskerville + Jamie Sulek
Finishing Editor: Motassem Younes
Company 3, Producer: Gino Carletti
Director: Tim Burton, Gandja Monteiro, James Marshall
Director of Photography: David Lanzenberg, Stephan Pehrsson
Editor: Jay Prychidny, Ana Yavari, Paul G. Day
Production Design: Mark Scruton

Crimes of the Future

Colorist: Bill Ferwerda
Re-Recording Mixer: Christian T. Cooke, Mark Zsifkovits
Finishing Editor: Adrian Saywell
Company 3, Producer: Gino Carletti
Director: David Cronenberg
Director of Photography: Douglas Koch
Editor: Christopher Donaldson
Production Design: Carol Spier

Nightmare Alley

Colorist: Stefan Sonnenfeld
Re-Recording Mixer: Christian T. Cooke, Brad Zoern
Finishing Editor: Adrian Saywell
Director: Guillermo del Toro
Director of Photography: Dan Laustsen
Editor: Cam McLauchlin
Production Design: Tamara Deverell

Searchlight Pictures

The Expanse | Season 6

Colorist: Joanne Rourke
Re-Recording Mixer: Mike Baskerville + Hugo De La Cerda
Finishing Editor: Motassem Younes
Director: Breck Eisner, Jeff Woolnough, Anya Adams, Lewin Webb
Director of Photography: Jeremy Benning + Kevin Jewison
Editor: D. Gillian Truster, Roderick Deogrades, Stephen Roque
Production Design: Peter Emmink

Squidbillies | Season 13

This Way Up | Season 2

Colorist: Paul Staples
Re-Recording Mixer: Adam Davidson
Finishing Editor: Andrew Cave
Director: Alex Winckler
Director of Photography: Jonas Mortensen
Editor: Laura Morrod, Jim Hampton
Production Design: Debbie Burton

Channel 4 (UK) | Hulu (US)

Sex/Life

Colorist: Joanne Rourke
Re-Recording Mixer: Steve Foster, Lana Marie Hattar
Finishing Editor: Motassem Younes
Director: Jessika Borsiczky, Sheree Folkson, Samira Radsi, Patricia Rozema
Director of Photography: David A. Makin, CSC, Mike McMurray
Editor: Janet Weinberg, Rebekah Fridman, Kelly Soll
Production Design: Britt Doughty

Feel Good | Season 2

Colorist: Chris Rodgers
Re-Recording Mixer: Adam Davidson
Finishing Editor: Richard Ellis
Director: Luke Snellin
Director of Photography: James Blann
Editor: William Webb, Charlie Fawcett
Production Design: Tim Dickel

Feel Good

Colorist: Chris Rodgers
Re-Recording Mixer: Adam Davidson
Director: Ally Pankiw
Director of Photography: Will Hanke
Editor: William Webb
Production Design: John Collins

Silent Witness

Colorist: Paul Staples
Re-Recording Mixer: Mathew Knights
Director: Emma Sullivan
Director of Photography: Sergio Delgado
Editorial: Benjamin Gerstein

BBC One | Season 22

Polar

Colorist: Bill Ferwerda
Re-Recording Mixer: Mark Zsifkovits
Finishing Editor: Ian Passy
Director: Jonas Åkerlund
Director of Photography: Pär M. Ekberg
Editor: Doobie White
Production Design: Emma Fairley, Anthony A. Ianni

Death in Paradise

Colorist: Chris Rodgers
Re-Recording Mixer: Adam Davidson
Director: Ian Barber + Jennie Darnell
Director of Photography: Rory Taylor
Editorial: Adam Collins + Louise Pearson

BBC One | Season 7

Diner

Agency: Translation
Client: Champs

Game Warden

Agency: St. John & Partners
Client: Zaxby's

Coffee Trek

Agency: Tatoo Projects
Client: Sheetz

Lever

Agency: Nelson Creative
Client: Bridgestone Golf

Bridgestone Golf

Ramp

Children's Healthcare of Atlanta

New Life

Agency: Ferebe Lane & Co.

Caromont Health

Deer Trap

Agency: BBDO Atlanta

Georgia Lottery

Office Rap

Agency: BBDO Atlanta

Georgia Lottery

Squidbillies

Client: Adult Swim

Seagulls

Agency: Made Movement
Client: Church's

Pregnancy Test

Agency: Sapient Nitro
Client: Regions Bank

Origami

Agency: 22 Squared
Client: Aaron's

RAV4

Agency: 22 Squared
Client: Toyota

The Phantom

Agency: !Robot Hand!

Knoxville Horror Film Fest

Agency: !Robot Hand!

Amazing and True

Agency: Retail First
Client: Ford

Sixer

Agency: Fitzco
Client: Coca Cola

Keno March Madness – Radio

Agency: BBDO
Client: Georgia Lottery

Georgia Lottery

Ford Baseball 2014 – Radio

Agency: Retail First
Client: Ford

Hydrocore

Agency: Nilson Creative
Client: Bridgestone

Emilio

Agency: 22 Squared
Client: Aaron's

Words and Cards

Agency: Thrust Interactive
Client: Ayopa Games

Murder In the First – TCA Trailer

Client: TNT Network

Bandwagon

Agency: 22 Squared
Client: Buffalo Wild Wings

Buffalo Wild Wings

It Doesn’t Matter

Agency: J. Walter Thompson
Client: Pennzoil

Buzzerbeater

Agency: BBDO
Client: Georgia Lottery

Georgia Lottery

No Pit Crew / NASCAR

Agency: Fitzgerald & Company
Client: Coca-Cola

From the Children

Agency: BBDO
Client: American Red Cross

American Red Cross

Father’s Day

Agency: Focus Brands
Client: Carvel

Call of Duty: Black Ops 2

Agency: Treyarch
Client: Activision

Black Ops II – Prologue

Agency: Treyarch
Client: Activision