Post Magazine delves into the meticulous color grading process behind Apple TV+’s Lady in the Lake. Set in 1966 Baltimore, the series follows Natalie Portman as an investigative journalist uncovering a series of shocking murders. To bring the era to life, director Alma Har’el enlisted the expertise of Company 3 Senior Colorist Yvan Lucas.

Lucas’s meticulous approach extended to fine-tuning the show’s atmosphere. He employed techniques like adding subtle grain, selective bleach bypass effects, and careful adjustments to exposure to create a sense of depth and realism. By subtly manipulating the color palette and texture, he enhanced the show’s immersive quality, transporting viewers back to 1960s Baltimore.

“Collaborating with Alma on Lady in the Lake was an incredible experience,” said Lucas. “Her passion for capturing the essence of the era was inspiring. It was a challenge, but also a great opportunity to push the boundaries of color grading and create a truly immersive viewing experience.”

To fully appreciate the artistry and technical skill involved in creating the show’s distinctive look, read the complete article in Post Magazine here.